Sarah Connor (
knowthyexits) wrote2012-02-21 11:23 am
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She's exhausted, but if she stops moving, Sarah knows she's going to have to think about what's happened in the last week and if she does that, it brings her back to the feelings of loss and the feelings of grief that she's terrible at processing. She's been serving at the Winchester since it happened, only goes home to sleep and feed the dog, but keeps going, otherwise.
As it stands, her shift has been over for hours, but she's still there -- at the bar, with a glass of Scotch in her hands that she's not sure she even wants to drink. Mostly, she wants something to blame, but there's no way to do that here because it's not the fault of machines or fate that Cal is gone.
There is no fate but what they make. Maybe she's contributed, helped to lead them down this road? Maybe she should just accept that some things happen and they can't be stopped -- but that implies that she can't stop the impending apocalypse, that implies that she's useless and Sarah refuses to accept that as a truth. Still, here, in the bar, she pretends that she can control what she feels. She pretends that it doesn't wreck her inside to know that someone she loves is gone. Kyle is gone, Andy Goode is dead, Charley is gone and remarried.
She always had John, though.
Now, she doesn't even have him. That's the thought that drives her to drink back the alcohol, summoning another with a muted request.
As it stands, her shift has been over for hours, but she's still there -- at the bar, with a glass of Scotch in her hands that she's not sure she even wants to drink. Mostly, she wants something to blame, but there's no way to do that here because it's not the fault of machines or fate that Cal is gone.
There is no fate but what they make. Maybe she's contributed, helped to lead them down this road? Maybe she should just accept that some things happen and they can't be stopped -- but that implies that she can't stop the impending apocalypse, that implies that she's useless and Sarah refuses to accept that as a truth. Still, here, in the bar, she pretends that she can control what she feels. She pretends that it doesn't wreck her inside to know that someone she loves is gone. Kyle is gone, Andy Goode is dead, Charley is gone and remarried.
She always had John, though.
Now, she doesn't even have him. That's the thought that drives her to drink back the alcohol, summoning another with a muted request.
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And sometimes it took a bump and a beer and a pretty face. Fortunately the first had already been taken care of and the latter two were in his sights. When he reached the bar, he tapped Sarah on one shoulder but popped up on the opposite side of her, gesturing for a drink before turning back to her. "Hakuna matata?"
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"Great. So you can come out to play?"
Aside from teaching, Hank had very little involvement with the rest of the island, so most of the time he was waiting like a bored little boy for people to finish work and give him some attention.
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"Like a two buck whore in the backstreets of Vegas," Hank agreed with enthusiasm.
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"You look like a woman on a mission," he commented as he walked with her. A mission to get pissed by the looks of it.
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"Cut me through the middle and you'll see the letters BFF inside," he assured her. "You want a friend, look no further."
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"Aw, shucks. A twoser." Were it anyone else, Hank probably would've slung his arm across their shoulders to offer some kind of comfort. As it was Sarah, he slipped his hands into his jeans pockets instead. "You're nursing a broken heart then."
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He sucked in a lungful of smoke, held the wisps in his mouth while he spoke. "You got a heart." He turned his head away from Sarah to exhale. "You just try your damned hardest to hide it. You're allowed an emotion every once in a while that's not anger, you know. M'not gonna tell."
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If he listens closely enough, he'll hear the slight shake in the words.
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Hank was speaking generally and not particularly about himself. Whenever Karen had cried back home, he'd of course wanted to help her stop, but that usually entailed making her laugh and acting the fool rather than the hero. And in the direst of times, he'd cried with her, manliness be damned.
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A dry chuckle escaped him and he clamped his cigarette between his lips to free his hands. "That doesn't surprise me," he mumbled, scratching idly at a bicep. "Neither does the tiredness. Booze ain't gonna help you fight the good fight." It wouldn't help her keep on keeping on but he was sure she knew that already. "But it'll give you a helluva good reason to stay in bed tomorrow morning," he conceded, clucking his tongue and cocking his head at her.
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She pushes the door to her hut open, making sure the dog is secure before waving for Hank to come inside. "I'm not stopping. If I stop, that's when all this becomes --"
Well, it becomes real.
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"Yeah," he offered because he got it and he knew that he couldn't do much to fix it. That didn't mean he couldn't do anything though.
"So what type of friend would you like tonight? We have a wide array for you to choose from. We've got friend-with-comfortable-shoulder to cry on," he began, presenting his shoulder in a model type pose before moving on, "we've got the age old drinking buddy, glug glug. We've got distracting-friend but he can sometimes be a little hit and miss." Something told him Sarah wouldn't appreciate being offered the friend-with-benefits option. "Or you can create one of your own."
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She looks up at Hank, offering him the glass as she bows her head down. "Cheers."
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"It's hard when you lose people you love. It teaches you nothing and makes you weaker. None of this what doesn't kill you makes you stronger shit. Your life will pretty much suck dead donkey balls for the next few weeks and there's nothing you can do about it." He tipped back his drink in one go, voice scratchier than before. "And I say Amen to that." It was a good thing as far as Hank was concerned but his logic wasn't exactly very clear.
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"Hank, why do you bother? With me?"
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"Slim pickin's around here?" he joked, eyes filled with amusement.
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